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Interview: Desert Dwellers

Tribal House Duo, Desert Dwellers, continue to invite long-time listeners into their world of eccentricity and meaning that is expressed through their artistry. I caught up with Amani and Treavor for a great chat about the meaning behind their latest release, ‘Breath Reimagined Vol. 1’, the spiritual connection that naturally stems through listening to Desert Dwellers, returning to a space of gratitude within, eating healthy and mindfully on the road and more.

Congrats on the release of ‘Breath Reimagined Vol. 1’. Tell us about the message that you intended to portray throughout this release.

We aimed to bring a message of unification, by collaborating with producers from many various countries and parts of the world, and also producers working in a diverse range of downtempo and psychedelic chill out influences as well. The 14 remixes run the spectrum from ambient dub to haltime to glitch to psy bass, yet all the offerings work together in unity, creating a dynamic journey for the listener. We also have 3 volumes of Breath remixes planned, the 2nd release are re-imagined into Slow BPM House and Electronica styles feat artists like Coss & Iorie, Rapossa and Luca Bacchetti. The 3rd and final one is uptempo Deep/Progressive House versions by the likes of Djuma Soundsystem, D-Nox and Uone to name a few.

Listeners of Desert Dwellers commonly are able to further tune into their spiritual nature through engaging deeply with your music. Tell us about your spiritual connection with your artistry. 

We really admire the power that sound and music has to transport the listener and help them find a sense of calm. This innate and mysterious power of music has been a cross-cultural phenomenon for eons and It goes beyond language or borders. We often create journey-focused soundscapes that dissolve the everyday stresses of life and helps people access the core feelings of gratitude, compassion, love, and peace. The world needs people focusing on these qualities now more than ever. 

Showcasing the human in you, what is a challenging thought that you recently had and were able to overcome over time? 

We are living in interesting times. What is happening on the planet both politically and environmentally is deeply disturbing and creates a lot of anxiety and fear for the future. Deep down we wish we could do something more, to change these events somehow with our actions. To do better. Yet we feel stuck like we are living in a nightmare that is a result of human greed and over consumption. It’s pretty difficult to overcome these feelings and what’s happening without ignoring them or self medicating. The best we can do is to keep finding inner peace and sending love to all our connections, and to keep trying our best in whatever small way we can to make an impact in people’s lives and to help the world right now. This time is “all hands on deck” as Paul Stamets has said. Instead of feeling despair, start each day by coming back to what we are grateful for and expanding from that place to help other beings and the planet in some way. 

What is your perception of the digital world that we live in and social media culture?

The digital network tools are not inherently good or bad, they are just tools. We all have a choice in how we want to use them, to create unity and community, or create division and separation. We truly live in an amazing time, and being able to connect with people all over the world like this is unprecedented. Personally we utilize the power of connection to create new and interesting music projects and collaborations, and we certainly wouldn’t be able to do what we do without these tools. But like everyone, we often feel the isolation and lack of human connections as we edge further into this virtual hive mind. Collectively, we are both losing and gaining at the same time, and we need to be aware of that as we continue to move forward. 

No career path or amount of followers negates the fact that you are a human being that has feelings. Tell us about some parts of you beyond being a musician that you take pride in. 

Aspects of us other than music? Let us get back to you on that!

As you are exposed to tons of stimulus, how do you proactively take care of your mental and emotional health when you’re out on the road?

Neither of us drink alcohol which we believe plays a big role in our mental and emotional health. We try to eat as healthy as possible and get as much sleep as possible too. It’s not always easy, and we go through ups and downs, but that’s really the jist of it. Oh, and a good sense of humor helps us a lot too!

If you could trade existences with your favorite cartoon character growing up, who would you choose and why? 

Maybe the Road Runner, because he gets to run free in the desert and always escapes harm’s way! He’s also the state bird of New Mexico where Amani grew up and Treavor has spent a lot of time as well.  

Last but certainly not least, any closing messages for your fans?

We are forever grateful to have this opportunity and to have so much support from our devoted fans, to be able to do what we do, and to travel around the world sharing our music! we will keep on going as long as you all keep dancing with us! Live in love. 

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Interview: Beware of Darkness

Los Angeles Musician, Beware of Darkness, is on an uncanny human journey that aids in providing both wisdom and a sense of lightness that overcomes his fans with joy. I caught up with Kyle for an in-depth conversation about spiritual practices that have aided in him finding peace within, growing and shifting perspectives through the ever-changing tide of social media, the release of “Bloodlines” and more.

Congrats on the upcoming release of your new single, “Bloodlines”‘. Tell us about the message that you intended to portray throughout the new track.

It’s just a simple and fun song about sticking together with someone you care about, whether that’s a friend, family member, loved one, or even yourself. There are some subtle undertones that humans and civilization are destroying the planet and if we’re going to change anything we need to rethink capitalization and raise human consciousness, but other than that it’s a cute song to play at family barbecues.

Though a broad question, what have you learned about yourself and what skills have you developed through working in the music industry.

I think that most unexpected and profound thing I’ve learned from the hardships, let downs, pain, devastations, collapse, emotional abuse, and violent uncertainty of the music industry is that I am spiritual being. All these emotions and energies had to be dealt with in some way, and I was lucky enough to know my body couldn’t handle drinking or drugs so all these uncomfortable situations and “failures” in the music industry led me down a spiritual path of meditation, Zen and Buddhism, yoga, and plant therapy. Thank you for asking this, because it’s the first time I’ve put these two things together. It’s almost like all the pain alchemized and became purpose. I’m now seeing a spiritual practice as a wild and unexpected fruit borne of songwriting. Working in the music industry has been a master class in how to listen to yourself and how to handle yourself when everything is falling apart and everyone is selling you a different way forward. I think it’s also taught me how to be resilient, how to have grit, how to be smile in the face of madness, how to deal with change, trust your gut, and especially how to handle uncertainty. I’ve also dealt with just the most ridiculous stunningly absurd bullshit, which has also been a blessing, because it’s helped me remain a calm frivolity in the day to days of life. 

Photo Credit: Scott Schumaker

Showcasing the human in you, what is a challenging thought that you recently had and were able to overcome over time? 

The most challenging thought I’ve ever faced is one that simply says, “Kill yourself”. It doesn’t scream or shout, it just appears there with the same banal tone as someone asking “Can you pass the butter knife?” It was present with blaring frequency that past 2-3 years of my life, every day, often multiple times a day. It was the first thought when I woke up, last when I went to sleep. It appeared as I was pouring coffee, between chattarangas in yoga class, during sex, subconsciously in every lyric I wrote, and it slipped between every heartbeat, became of part of me and it wrecked me. It added so much more weight to my already present depression and made it life unbearable. That one single thought, I’d compound with guilt, shame, fear, anger, until it became this daily depression tornado of death,  and I didn’t know what to do with it. Thank god, this year I found therapy, anti-depressants, mindfulness meditation, and ayahuasca, which have all help me sit with that thought, get to the actual root of the thought and problem, and now if and when it comes, I can almost befriend it. Now when it comes, I recognize it is only a thought, and I don’t need to label it good or bad, or do anything with it really. I found that when I gave it space, and asked simple questions like, “Who are you? Do I have any control over you? Why are you here?” Its power and grip over my life loosens, and now it barely comes and when it does I treat it like an old friend, and ask, “What can you teach me today? Why are you here?”

What is your perception on the digital world that we live in and social media culture?

I have a lot of feelings and opinions on it. I understand how great social media can be if you are capable of mindfully using it in a healthy way, but I also understand how damaging it can be and how it can wreck your moods or life. I think you have to be very, very, awake and aware to use it in a positive way.

First off, realize that companies build these apps to be as addictive as possible to keep us logged in 24/7. It’s as if we were all handed these 24/7 casinos in our pockets, developers spend billions of dollars on studying how the human brain works to make them as enticing and addictive as possible, finding out what sets off our dopamine receptors in the quickest possible way, while making it so easy and as immediately satisfying for you to gamble all the time, and they smile and say, “Go ahead, just play one hand.” And you, you’re a nun who’s never stepped inside a casino and has never heard of gambling addiction. How do you win? This is what I don’t think most people understand yet. I am aghast when I see small children glued to devices. The CEOs of some of the biggest tech companies have recently come out saying, “We don’t give these devices to our kids because we realize the detrimental effect they have.” You have a classic case of the dealer selling drugs but not using.

We don’t need access to ANYTHING 24/7, and we don’t need Facebook on all 6 devices we own, so I think self-imposed limits and restrictions is key. I also think social media is a mirror. It shows you exactly who you are. I do like that part. If scrolling through and seeing someone else’s “happiness” makes you feel bad about yourself, you now know you have self esteem issues to work on. You can blame social media for wrecking the world or you can take responsibility for yourself, how it makes you feel, and change your habits. Instagram doesn’t care if it makes you feel terrible about your life or gives you low self esteem no matter how many hours you give it, or how many followers you have. Self-awareness is key. Be honest with yourself and how it makes you truly feel, then adjust. Unfollow anyone who doesn’t bring you joy. I also think a lot of social media is theatre. It’s people showing the world who they want to be, instead of who they actually are, and I don’t think that’s healthy.

Years ago, I was asked to played a beauty launch at what was rumored to be David Lynch’s mansion. There were around a 100 people there, and every single room had a photo booth in it. No one talked to each other, everyone looked sullen, and they’d walk into a room to take a content photo, and when the camera was up they’d put up the “I’m having the time of my life with all my friends” face, and when the photo was done they went back to being lifeless drones, and would repeat that throughout the night. I thought, oh my god, it’s all smoke and mirrors. It’s all bullshit. Social media is about sacrificing real experience you can give the illusion to a stranger of an experience. 

I think of the girl in the Midwest who looks up to these “influencers.” She doesn’t see the makeup, professional cameras and lightening, touch up and edits, and the overall isolation in the room. She just sees someone having fun and will probably compare how lame her life with how glamorous their lives are. And it’s all bullshit.

For years, I was addicted to social media.  I let it wreck my moods, ruin my self worth, and hurt me. I was on it all the time, thinking it mattered. I hated it, and I’d use it and feel terrible about myself. It wasn’t until an ayahuasca journey where I truly saw how it made me feel, and was able to have the clarity to become free of the addiction, and now it’s something I can enjoy. I took immediate change and put all my social media on an iPad that never leaves the house and I’ve never been happier. 

Photo Credit: Nick Smalls

No career path or amount of followers negates the fact that you are a human being that has feelings. Tell us about some parts of you beyond being a musician that you take pride in. 

I love reading books. This year I started reading through Don DeLillo’s books. Mao II was spectacular. I’m now pouring through Tom Robbins entire collection. A friend recommended Still Life with Woodpecker and it floored me. I’ve never read anything like it.

I am a diehard Nintendo and video game fan. I love been taken to other worlds and living inside their stories for a while. Some of my favorite games are Breath of The Wild, Sonic Adventure 2, Ocarina of Time, Fire Emblem Awakening, Skyrim: Elder Scrolls.

When the band was falling apart in 2016 I clumsily started a daily yoga practice, because it was the only thing that reduced my depression and anxiety at the time. I’d show not knowing how to do any of the poses, not doing anything right, but kept at it, and over the past 3 years, yoga has blossomed into one my life’s passions. I did a 200 RYT teacher training and became a certified teacher. To this day it’s so much more than a physical practice but has become a way of life for me.

As you are exposed to tons of stimulus, how do you proactively take care of your mental and emotional health when you’re out on the road?

Well the short story is I didn’t. I got high. I got depressed and suicidal. I broke down. I developed such an uncontrollable anger problem that my own band and crew were afraid of me, afraid to go near me or confront me. When we toured with the Smashing Pumpkins I took so much anger on stage, their tour manager forcibly grabbed me after our set, and said, “What the hell are you doing? You’re gonna kill yourself, and it’s not helping anyone.” It was a lesson I had to learn the hard way, and it took me years. 

Here’s my advice:

Make taking care of your mental and emotional health a priority whether you’re touring or not. Reminds of the quote by Bruce Lee, “I’d rather be a warrior in a garden, than a Gardner in a war.” I’d suggest meditation, yoga, eating right, exercise, being sober(especially on the road), finding a therapist, and making sure you have an attitude of gratitude, and have the right perspective. There will be hard days no matter what your job is, and just remember every single day how much of a blessing and miracle it is that you are a musician on the road.  It doesn’t matter whether your crowds are 3 or 3,000 people. For years, I have been pre-buying my food for tours so I can ensure I’m eating healthy on the road. It’s also much, much cheaper.  Also if you need to stop, stop, because no amount of followers, fame, or success is worth your mental health and well being. 

You have toured with a wide variety of musicians over the past years and have played at some major festivals. Tell us some words of wisdom that you collected along the way. 

Treat people well.  I mean everyone. You’d be horrified to know how many of your favorite bands treat their members and crew like disposable pieces to a financial puzzle instead of real humans. Some of the stories are shocking and heartbreaking. People don’t want to help you if you’re a dick, and its marvelous how much the world will open up to you if you’re kind. I just ask you, “What kind of legacy do you want to build? What do you want people to say about you?” How about you make every show, every night the best experience for everyone involved; fans, promoters, bands, local hands? My dream is to build an empire on kindness and treating people well, curating an environment that is healthy and nourishing where everyone wins.

Last but certainly not least, any closing messages for your fans?

I deeply and truly love and care about my fans as people. I want to make them happy, to see them win, I want to give them the best experience possible, and want you to know I’m on your side, on your team, and I support you.

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Interview: Like A Storm

New Zealand Rockers, Like A Storm, continue to make their mark in the world of music through exploring thoughtful and interactive ways to meaningfully connect with their loyal global fanbase. Having released their third studio album, ‘Catacombs’, in 2018, the guys of Like A Storm are living out their dream and setting a positive example for all. I caught up with Drummer, Zach Wood, to discuss the success of ‘Catacombs’, choosing to do the right thing, being a huge car fan, exploring while on the road and more.

Congrats on the ongoing success that has come with Like A Storm. ‘Catacombs’ was one of the best albums of the year. Tell us about the creative and recording process behind the release.

Thank you so much! That means a lot. We definitely pushed ourselves musically very hard for this new album. It’s unlike anything we’ve ever done. It a lot heavier and musically challenging. The recording process for us is very interesting because all three brothers in the band  wright music. So the album is very evenly spread between who wrote what song. It’s not just all the singer all OR the guitar player. It’s basically every three songs on the album is done by someone else. They all play every instrument as well so the whole structure of every song is done by one of them.

How has the steady climb that has come with Like A Storm affected and enhanced your personal life and relationships?

I’m actually quite an introverted person. So I wouldn’t say it has enhanced my personal life very much. I know some people use the whole “I’m in a band” thing to their advantage but I don’t really go out much or do anything crazy to where I ever feel the need to do that. I actually met my girlfriend on tour at a show.  We’ve been dating for two years, so she knew what she was getting into, and she handles me being away very well and I admire her for that. Not many girls would be trusting or ok with someone being gone months at a time.

Showcasing the human in you, what is a challenging thought that you recently had and were able to overcome over time?

I’m actually a really easy-going, laid-back, relaxed person. I don’t get stressed easily and I always do the right thing. So thankfully I haven’t had one of these issues in a really long time. It sounds stupid but I’d say the last thing I really felt challenged about was recording our album. It sounds so cliché but I wanted it to be perfect. I wanted people to listen to it and when they hear the drums they were impressed. It wasn’t just something typical that you’d hear on any song and we really strive to make it challenging and make it different.

What is your perception on the digital world that we live in and social media culture?

I personally love it. I love social media. I love Instagram, Snapchat, Facebook, etc; I grew up with it! I had Instagram and all those apps basically when they first came out. I’m only 23, so I imagine like most people my age I’m always on my phone and I’m always doing something on those apps. I’ve been lucky enough in life to have a job where people are really interested in what I do and I’m able to share really interesting things, so I think I enjoy it more than the average person because I’m able to share unique experiences with people.

No career path or amount of followers negates the fact that you are a human being that has feelings. Tell us about some parts of you beyond being a musician that you take pride in.

I’m a huge car person! Doesn’t matter what make, what model, what year it is, I just love cars!  I go to car shows, rally’s, you name it ! I’m also a huge shoe guy I love shoes as well! I think I have 20-something pairs at the moment and I plan on it growing!!

As you are exposed to tons of stimulus, how do you proactively take care of your mental and emotional health when you’re out on the road?

It’s important to have days off on tour and luckily our crew are really keen on going out and doing stuff, we are huge explorers. Doesn’t matter what town or country you’re in, we will always go out of the bus walk around for hours and hours, go to popular restaurants, or see a movie or do something. It’s important to do this because otherwise you’re just always trapped in a venue or a bus and you do kind of get a little bit of cabin fever.

You have toured with a wide variety of musicians over the past years and have played at some major festivals. Tell us some words of wisdom that you collected along the way.

I can’t remember who told me this but it’s so true. The people that came to see you and paid money to see you, believe in you and they want to see a rock show. So it doesn’t matter if there’s 10 people or 10,000 people you always give them the 10,000 people performance. People like to be entertained and that’s how you’re going to get ahead in this business. you have a really entertaining show whether that’s your production, or your performance. For us we try to make both of those as nuts as possible ! It’s all about entertainment ! And trust me we’ve played plenty of both shows for small amounts of people and huge amounts on our journey.

What are some necessities that you always have with you while on tour which make your life easier?

I’m simple. The one thing I need to make my day work is a Redbull. I need at least one can a day!

Last but certainly not least, any closing messages for your fans?!

As always, without you guys we wouldn’t be able to do what we do and it honestly means the world to us. I know every band says this but it’s because it’s so true. Without people who are paying for your merchandise, your CD, or the ticket to see you play, there wouldn’t be this opportunity for us. Siri speaking for all four of us in Like A Storm; we want to thank you, each and all of you.

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Interview: Shallow Pools

Boston Trio, Shallow Pools, aren’t afraid of breaking the rules as they convey messages of hope and perseverance stemming from the heart through their music. I caught up with the ladies for an in-depth interview to discuss the recent release of “Haunted”, collectively raising Bibby the cat, trading existences with cartoon characters such as The Powerpuff Girls and Twister from Rocket Power, balance pertaining to social media and much more.

Congrats on the recent release of your new single, “Haunted”. Tell us about the message that you intended to portray throughout this track and video. 

Ali – Thank you so much! We wanted “Haunted” to explore the feelings of uncertainty and helplessness surrounding the future. Having a dream and feeling like it keeps getting further and further away but still pushing to make it happen every day.

Tell us about how shallow pools came together and the bond that you have developed through your artistry. 

Ali – We all went to the same high school! Jess and Glynnis had been friends for a while, and then met Ali in 2012. We found out that we all loved music, and started making acoustic covers together. We decided to start writing our own songs and at first it was pretty rough but we have all grown so much and it’s been really cool to see! We are truly best friends/do everything together and the band really feeds that bond. Even if we fight it’s like… well we have to write 3 songs this week so there’s really no time for that.

Showcasing the human in you, what is a challenging thought that you recently had and were able to overcome over time? 

Jess – Every time we write new music, I constantly struggle with feeling like I’m not good enough or that I won’t write a song as good as our last song. It’s something I’ve been trying to work on a lot lately!

Glynnis – I’ve always been dealing with insecurity, where I’ve felt like I’m not up to par in almost every aspect of my life. But honestly, being in a band and performing has really helped me to be more confident in everything that I do!

Ali – I often have imposter syndrome! I feel like because I’m a woman if I’m not playing super intricate drum parts etc. everyone will think I’m not good enough. I have to remind myself that less is more and the best drummers play in the pocket and aren’t playing fills every 3 measures.

What is your perception of the digital world that we live in and social media culture?

Ali – I feel like it’s a blessing and a curse! It’s a great way to get your name out there and stay connected with fans who would have never heard of you if it weren’t for social media, but there are also factors working against you and you basically have to be a digital marketer to get new people seeing your posts and videos since there is so much content out there!

Jess – I love social media! It’s cool to be able to connect with people you might not have met otherwise. For the most part we’ve had a pretty positive experience with social media as far as the band goes. There are downsides for sure, so you definitely don’t want to get too wrapped up in it.

No career path or amount of followers negates the fact that you are a human being that has feelings. Tell us about some parts of you beyond being a musician that you take pride in. 

Glynnis – Honestly, I’m very proud of my cat. I know he’s not part of me but I’m obsessed with him and he’s very, very cute. His name is Bibby, he’s a chubby black cat, and he’s very talented.

Ali – I really like planning things! If I’m travelling anywhere I will have like 52 places to go and backup plans to the backups and I used to be annoyed by it because I lack spontaneity but honestly now I don’t care, I like to be prepared!! Also bibby is a star he is the strangest cat i know I’m proud of his existence and glynnis for being a great mother.

Jess – I’ve become a lot more independent over the last year or two. I moved to a new place, got a new job, etc. I’ve been working at that for a long time so it’s something I’m super proud of! I also agree with Glynnis that Bibby is talented and I’m proud of him too.

As you are exposed to tons of stimulus, how do you proactively take care of your mental and emotional health when you’re out on the road?

Ali – We do all have full time jobs plus the full time job that is writing/recording/performing, so that ends up being really overwhelming at times. It’s just a matter of making sure that you’re also doing things that make you happy/relaxed! I like watching Degrassi and the Bachelor/Bachelorette (depending on time of year), editing videos even though it annoys me sometimes, going to breweries, and I also really love shopping online/at malls.

Glynnis – I think it’s super important to take time for yourself. Even if it’s listening to a podcast, writing, or listening to music, having time that is dedicated to relaxing/destressing can really make a difference in how you’re feeling, especially with interactions with others!!

Jess – I completely agree with Glynnis! I love being around my friends and playing music together all the time, but it’s super important to make sure I get time to myself too. I think we all know each other well enough at this point that we can tell if someone needs to be left alone for a bit. Also, communicating exactly how you feel helps too! It’s something we’re all still working on.

If you could trade existences with your favorite cartoon character growing up, who would you choose and why? 

Ali- I really loved Arthur but I don’t really think I’d want his life, it was pretty boring. So I’m gonna go with Emmy from Dragon Tales she had a SICK life, a super cool playroom AND the ability to go fly on the backs of dragons. 

Glynnis – I was very into The Powerpuff Girls when I was younger. I always resonated with Buttercup, and I think it’d be pretty cool to be this little angsty superhero.

Jess – I was such a big Rocket Power fan so maybe I’d be Twister! Honestly I’d be any of the characters because then I’d know how to skateboard, which is my DREAM.

Last but certainly not least, any closing messages for your fans?

Ali – Thank you for existing and promoting us and connecting with our music, we see you/hear you. You always have someone in your corner in us!

Glynnis – Thank you so much for listening & we can’t wait for you to hear what’s next!!

Jess – Thanks so much for listening/coming out to our shows! We’re super excited to put out some new songs and play in new places this year!

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Interview: Braden Barrie

Growing a massive social media following and cult from scratch is an expertise of Ontario Native, Braden Barrie. Having dabbled into a variety of artistic endeavors including one of his latest being Stay Cozy Clothing, Braden Barrie aka SayWeCanFly pours all of his heart and soul into his art. I caught up with Braden to discuss the first track that he created with SayWeCanFly, touring in his youth, the years of growth that led to be able to pursue art full-time and more.

You’ve been touring since you were 16-years-old. Tell us how this affected your high school experience and experience growing up as a human being.

I went through so much pain & depression but looking back I am so thankful for every experience I’ve had and the people I met. If it weren’t for the few people in that school who supported my music and always pushed me to make more, I’m not sure I would have the same drive I do now. That being said, I did drop out at the start of my last year. All of my friends had already graduated and that was really the only reason I liked going to school. Everyone was pushing me to go to college but the idea of pursuing anything but what I love just made me sad. I just wanted to make music and play shows, so I decided that’s what I was going to do. It took me years and years to turn it into my full time job but I told myself that no matter what it took, I was going to make a living with my art.

What was the first song that you created as SayWeCanFly and what did it mean to you?

The first SayWeCanFly song I can remember (aside from the one I wrote about Scooby Doo when I was 9) was called “Breathe”. I wrote this one about my understanding of depression at the time, and it was kind of like telling myself to chill out because I was the one causing the pain by letting thoughts take me over. At the time I didn’t know it meant that of course, but looking back now it always feels like songs show their meanings to me later on in my life. That song specifically though I remember being written at a very dark time in my life. My grandfather had just passed away and he was kind of my best friend at that point, and my parents I believe had just divorced shortly before that. There were just a lot of thing going on that I didn’t understand… and writing songs was honestly what got me through those experiences.

There is so much vulnerability reflected within your music. Tell us about the life experiences that have led you toward becoming so open with your fans.

I think the reason I always write from my heart is because I started writing long before I ever had an audience. It’s always been natural for me to write exactly what I feel.I think just feeling alone so much as a kid has given me so much time to question and explore my emotions that it just comes out in my songs. It’s not something I could easily explain, but those songs are all new experiences for me as much as they are for anyone else who listens. Over the years I’ve become very aware that other people connect with those painful and emotional experiences that I write about, which has given me a whole other incredible reason to keep going no matter what. It makes me feel safe knowing someone else understands what I’m feeling.

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Interview: CloZee

Toulouse Electronic Musician, CloZee, has surrendered to her inner calling through continuously revealing layers of her kaleidoscopic musical vision through albums that move you such as her latest, ‘Evasion’. I caught up with Chloe to discuss her emotional sensitivity laced within her artistry, the importance of being honest and generous, intimate recording processes, upcoming Spring 2019 tour and more.

Congrats on the success of ‘Evasion’. I perceive that your music and delivery is just as much of an inner journey as it is outer. Tell us about what you learned about yourself throughout the creative and recording process. 

Thank you! I particularly learnt that I feel better about my music and in my life in general when I follow my current mood and feelings when a compose a song. I can’t force myself to try to create  bangers when I’m feeling emotionally sensitive. This is probably my most emotive and intimate work so far because of that. 

What is the most bizarre everyday object that you have used as an instrument throughout your time as a musician?

My set of keys. Love to add those « clings » sounds to the beat.

Showcasing the human in you, what is a challenging thought that you recently had and were able to overcome over time? 

I think just confidence, in general. Still working on it though. It’s not totally there, but that’s what makes me work harder everyday so I don’t know if I want to totally overcome that feeling.

Photo Credit: Eric Allen

What is your perception on the digital world that we live in and social media culture?

I wouldn’t be where I am today without the digital world and the social medias. I hate a lot of things about it, but I currently can’t live without if I want to spread my music and do what I love. I also met awesome people thanks to that. I’m all about it when it’s used in a smart way. 

No career path or amount of followers negates the fact that you are a human being that has feelings. Tell us about some parts of you beyond being a musician that you take pride in. 

Being honest and generous.

As you are exposed to tons of stimulus, how do you proactively take care of your mental and emotional health when you’re out on the road?

Good sleep (whenever it’s possible), good food, a good team of people and friends, and awesome fans are the key to stay excited and healthy on tour. 🙂 

You have toured with a wide variety of musicians over the past years and have played at some major festivals. Tell us your perception of the difference between crowds in the states vs. crowds overseas?

Every crowd is different depending on the countries and type of events. I’ve experienced awesome crowds everywhere, and I had bad experiences too haha. I guess the only thing is that outside of America or Australia, my type of music isn’t very popular or known, so I never know how it will accepted and appreciated, because the scenes are very different. But this is also what makes my life exciting. 

Get tickets HERE to The CloZee Spring Tour 2019

If any of our readers have never been to France, what are some of your favorite urban exploring spots that you recommend to check out?

Toulouse, Bayonne, Lyon, Montpellier

Last but certainly not least, any closing messages for your fans?!

I love you all, thank you for being here. I hope you’ll like the future music I’m working on!

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Interview: FaltyDL

New York based record producer and musician, FaltyDL, has created a world of his own in which he dishes out enticingly dense, magnetically dark, and utterly captivating displays of musical craft that seduces you as it seeps under your skin. I caught up with the creatively rich human being who is on the cusp of releasing his sixth LP, ‘Heaven is for Quitters’, to discuss his upcoming projects and more.  

First and foremost, introduce yourself to our readers. Who is FaltyDL?

My name is Drew, I am FaltyDL and I live in Brooklyn, NY. I have been making electronic music for about 12 years now. I regularly tour and DJ my albums. I have worked with a couple record labels such as Planet Mu and I have also created my own record label, Blueberry Records.

Is anybody else signed to Blueberry Records?

Drew – Yeah, I have signed a bunch of artists to Blueberry Records, but I don’t sign artists to a contract where they can’t work with anyone else; I wouldn’t want to do that to anyone. I sign artists per record, so to speak, but I’ve got a bunch of new artists and some old artists as well. 

Jessica – That is quite liberating. I am assuming you know how it is in the record industry; a record company can tie you down and as a musician, you can ultimately sacrifice a lot of your career.

Drew – Yeah, definitely. I try to treat artists like I would like to be treated as an artist.   

When did you begin peaking interest in techno/house music?

Around the early 2000’s. I got into electronic music through DJ Shadow in a way; trip-hop, electronica and genres as such in a way. Some weirder stuff like Aphex Twins and Squarepusher when they were already well into their careers. I sorta got to go back and check out all of the old records that they made as well. I was about 16 or 17 years old at the time. 

Congrats on your LP, ‘Heaven is for Quitters’. Tell us all about the recording process.

I challenged myself on this album by recording with vocalists at my studio, which I have never done before; I have always worked remotely or they would just send me their vocals, mainly because they would live in other countries. But, I have a few singers like Hannah Cohen, and Jose James come over and record, which was fun and a little bit scary because they are artists that work in real recording studios. So, I challenged myself as far as the process of recording people and all of the mixing down on the record. I tried really hard to mix it down a little bit smoother this time and make sure it sounds good on a loud sound system.

Jessica – You mentioned that you brought in some vocalists from overseas. Who do you perceive was the most intriguing and fascinating vocalist that you’ve worked with thus far throughout your career?

Drew – Oh, that’s good. There are so many that I have worked with; there’s a few like Rosie Lowe who is on the track, “Drugs”, off the new album. She is such a pro. I mean, she records the vocals on her own and sends them to me and I usually don’t have to do anything to them. At times, I get vocals from a producer and I have to spend a lot of time getting it on the track, cleaning it up and editing it. But, when someone as professional as Rosie just sends you her vocals and it’s just perfect right away, it’s really incredible. I mean, I would love to work with Bjork or Thom Yorke, all those big names; that’d be incredible. But, realistically, it’s when I work with just really talented, hard-working and hustling vocalists that I feel really good about it. 

Thoughts on Massive Attack?

They’re incredible. I grew up listening to the whole Bristol sound. You know, Rob Smith, Tricky; that whole Bristol sound is incredible. I like Massive Attack because they will go away for awhile and come back with a new album that’ll still bang. I respect that. It’s such a heavy sound. They also have an incredible live show and I really do like their visual performance. 

You and I are in New York on a hot summer day. Where are we going to eat and why?

I love these two restaurants in my neighborhood, Diner and Marlow, they are both right next to each other. I would go there because A, they are local and I know all the people that work there. And B, they are so local that I don’t have to go too far from home, which I like. It’s a really good atmosphere and they play really good music at both spots. 

Tell us about your artwork for your albums and the human beings that brought them to life.

All of the artwork for this album is done by an artist by the name of La Boca; him and a couple of his designers did one of my last albums called ‘Hardcourage’ as well. I just think he kills it at this smooth, radiant, and animated cartoony look that I feel a lot of people have been trying to emulate ever since he’s been doing it. I think it is really important to have the artwork be as accessible as the music in a way. I think that he always compliments my music really well and creates an image that people can sort of relate to and enjoy. 

Jessica – Interesting. In a sense, syncing the energy of your music coming from your inner being into the external aspect as the musical creation tied to it’s artistry. 

Drew – Yeah. I’m not a visual person, I’m an auditory person. So, working with another person who is talented into the visual aspect helps bring the other part forward, ya know?

If you had to give one piece of advice to an emerging producer, what would it be?

Just keep going. If you feel like you are running into walls either creatively or just trying to get yourself out there, just keep going. Also, make as many of your own opportunities as possible, because sitting around and waiting for someone to offer something can be very long and it could just not happen. So, make your own things. Throw a party. Start your own record label. Send out your own demos. Just try and do everything. And listen, take in everything you can, but try and just focus on what sounds good to you because that’s how you are going to develop your own sound. Try and ignore what Twitter is saying, how everyone loves this new album or that new album; forget about that stuff, it doesn’t matter. Enjoy what you enjoy and keep working. And don’t take shit from anyone.

Jessica – Yes. Both personally and professionally. 

Drew – Yes. In life. Yes.

Last but certainly not least, any messages for your fans?

Yeah. I have this idea that if you have been following me for awhile, you have followed me through a bunch of albums and I keep throwing out curveballs. For instance, this album does not sound like the one before, and just thank you, very much, for sticking with me. I appreciate it. It means a lot, because it makes me feel like I’m not losing my mind when I’m about to put out an album that feels like something I have never done before. I am just honored. I meet people all the time that tell me that they are fans of my music and in the moment, I am just trying to get through that social interaction by being polite and being nice, but I take that all home and I think to myself, “Holy shit, I can’t believe that person reached out to tell me they like my music.” It makes me feel so good. I am very grateful.

Jessica – Are you quite introverted? Do you spend a lot of candid time on your own?

Drew – Yeah, I do. A lot of it is by design; it’s just the nature of the job. But also, I work at home. Their will be whole days where the only time I go out is to get a turkey sandwich across the street and I don’t see anyone or pick up the phone for a day or two. So, you start to get a little loopy. You know, you got out, you meet someone and you just start talking; you don’t know how to socially interact. So, yeah, I get caught off guard by people all the time when I am out of the house. But, I am definitely split; I enjoy being an introvert and I also like to have some human contact as well. 

Jessica – Uh, yeah. I don’t perceive that you would make it on stage if you you had total introvert vibes.

Drew – Yeah. That is a weird experience. Being on stage and performing is this weird, made-up experience. It’s nothing relative to how people should act in the world. You know, you are on this pedestal; it’s a very unnatural thing. But, it’s also very dope.

Jessica – Do you feel like you go into a trance on stage?

Drew – Yeah, sometimes I do, and that’s nice, but it’s hard to do that when you see a thousand people staring at you. You just get into. You just roll with it. 

FaltyDL Social Links:

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PHOTO CREDIT: Janye Lies, WeAreShura, Daniel Dorsa)

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Interviews

Interview: Grabbitz

Los Angeles Musician, Grabbitz, has built a strong fan-base through tuning into his heart and playing music that creates feelings that expand beyond the typical. I caught up with Grabbitz to discuss dreams of playing Coachella, making beats at the age of 13-years-old, meditation and more.

First and foremost, introduce yourself to our readers. Where are you originally from and who is Grabbitz?

I’m a recording artist living in LA. It’s hard to explain the kind of music I make, because it’s not one thing exactly; you’ll have to listen for yourself. Think of me like the frontman of my own band. 

Congrats on the release of ‘Things Change’. Tell us about the concept behind this album and what life experiences led you toward bringing this album to life. 

Many thanks. Essentially, it was a tipping point in my life where everything changed. I was feeling confined in the music I was putting out, and simultaneously lost one of the most important people in my life. I ended up putting this album together, and it’s beginning to sound like the real me. I’ve been making music and compiling songbooks and albums since I was around 9, so I’ve always expressed myself through performance, then audio, and now full studio recordings. 

If you could slide your way onto any summer festival roster that you aren’t already playing at, which festival would you choose and why?

I don’t know if it sounds cliche or not, but Coachella. I keep my head in my work most of the time so I don’t really know a wide range of festivals off the top of my head… I’ll play for any festival that will have me. But if I had to pick one, it would be Coachella, because it’s huge and seems like it’s goers are open to hearing new artists. 

You are a one man show behind the scenes with creating your music. Tell us about how you have gained all of the skills to write, produce and record all of your own music. 

Well, I’ve been creating music for as long as I can remember with guitar and my voice. Any keyboard or device I could get my hands on. At 13-years-old, I started making beats and singing/rapping on a computer, and have been ever since, they are just full blown songs now. 

What is the greatest piece of wisdom that you have received over your years of being a musician? 

In order to win, you have to risk losing. 

Any upcoming plans to boost your creativity that you can fill us in?

I started meditating a week ago, I think I’m going to try it for a while. I think I’m going to get another tattoo soon, a butterfly on my hand. 

What is the most personal track for you on ‘Things Change’ and why?

The title track, “Things Change”. It is one of the two songs on the album to the person I lost. It is my way of coping, by coming to the realization that you have to enjoy things while you’re present, because things are always changing until you die. 

Last but certainly not least, any closing messages for your fans?!

If any of my fans are reading this, or if you are considering becoming a new fan, I promise you consistent quality music and performances. Come see my show when I come to a city near you. Thanks for listening. 

All Photo Credit: Margaryta Bushkin

Grabbitz Social Links:

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Interview: Fire From the Gods

Austin natives, Fire From The Gods, are the full forced musical embodiment of empowerment. Blending a variety of genres including Hip-Hop, Metal and Hardcore, the Lone Star State gang has a lot to deliver and a lot in store. I caught up with the guys to further discuss being a part of Rise Records, not taking shit from anyone, how social media has expanded their artistry and more. 

Photo Credit: Zizi Friesen

First and foremost, introduce yourself to our readers. How did Fire From The Gods come to life?

My name is AJ and I am the vocalist for Fire From the Gods. FFTG has existed since 2007. FFTG under its current guise has been together for about 2 years. After various lineup changes over the years we now have a solid 5 member setup that we are very pleased with. 

Your Rise Records debut, ‘Narrative’, was a total hit with fans. Tell us about the creative process behind the album.

We wrote this record in about three parts. A majority of the pre-production was written and recorded in Texas with our co-writer and producer Robby Joyner of Black Book sound. The vocals and lyrics which took the most time were written by me in NYC where I lived at the time and the final product was recorded with David Bendeth at the house of loud in NJ. There is a lot lost in translation when sharing files back and forth. The plan was to record in Texas then have the record mixed somewhere else. Fortunate for us a window of opportunity was opened and we got the chance to record with David Bendeth in New Jersey. That move took the record and creative process to a whole other level.  Over about 30 days during the holidays we knocked it out. The end result was ‘Narrative’. 

Did you have any goals or intentions going into the studio before the recording process began? 

We went into the situation with D. Bendeth and The House of Loud knowing that we were going to have to step our game up. Many great records have come out of that place. The only real intention was to take full advantage of the opportunity. We had some prepro but we were unsure of what we were going to produce.  The label was very chill and very supportive. The folks at Rise were like give it your best shot. Everything we sent they loved so we kept going without hesitation. 

Have you been on the road testing any of the new material? If so, how have your fans been reacting to it? 

The last two tours we’ve played all new music from ‘Narrative’. The response has been mega! We played two very different tours. The Browning tour was closer to the metalcore “scene”  that FFTG comes from. There wasn’t much of a surprise that the fans of The Browning were into the music. The Otep tour was a very different landscape. Her fans are very dedicated to her and they embraced us. Many had checked out “excuse me” prior to the show. They came prepared to see us. We had great time.  

Is there another band that is signed to Rise Records that you would like to recognize for their musicality?

For sure. Rise has such a diverse roster at the moment. It’s very easy to find something for everyone. I really dig Of Mice and Men’s transformation over the years. Their last two releases are a testimony to the band’s maturity and experience. Tiger Army is an awesome band I grew up listening to. Their current Rise release is just as good as anything they’ve put out in the past. The new Crown the Empire is great another band that is changing and maturing. Cane Hill is the very embodiment of the best aspects of 90’s and early 2000’s Nu metal. Rise is a pretty cool place to be right now.

What bands or artists influenced the sound and playing style of Fire From The Gods?

So many. We talk about our diversity in the band a lot. Because we have such contrasting backgrounds. But we all share a common love for heavy music which ultimately influenced our record. There’s a bit of The Deftones, Poison the Well, Slipknot, Metallica, Rage against the machine, Sevendust, Sick of All, Hatebreed, Norma Jean, The Bled, The Used, Meshuggah, 90’s hip hop, NYHC, pop punk the list goes on. We could chat for days about the bands that influence us.

Have social networks been a key asset of creating your audience?  

FFTG had a pretty solid social media before our signing. Due to the band having an already extensive history. Each release prior to Narrative had a distinct sound with attracted fans from all over. So ppl have been talking about the band for a long time. It definitely helps. I don’t think it’s the end all be all for a band’s career. But it is certainly a fantastic tool to help build a career. I believe in the old school formula, you write a record you tour the record and you sell the record. Too many bands live and die on social media these days. There’s no substance especially if that’s your only method of reaching fans.  You have to play shows compounded with a solid social media presence to survive these days.  

You guys have a fierce amount of energy which is highlighted on your album but as well as in your live performances, Do you guys have any pre-show rituals to harness that energy?

Besides the usual stretching, warming up stuff we all just kind of do our own thing before the set. Bonner jams super high energy bands before showtime to The Bled, Every Time I Die, etc. Rich does as well sometimes. Jameson, Drew and I kind of zone out and get our minds right. FFTG shows are very high energy. We try to be relentless on stage.  

Last but certainly not least, do you have anything that you would like to share with your fans? 

Again, thank you all for taking your time to speak to us. Keep your head up and don’t take shit from anyone. Peace.

Fire From The Gods Social Links: 

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Interview: SikTh

Although England Progressive Metal band, SikTh, have taken quite the extensive hiatus in the past, yet is with great pleasure to share that the band came back and released their third studio album, ‘The Future in Whose Eyes’. As a band who served to define and create the progressive metal movement, fans around the globe are trapped in a state of anticipation for what’s to come. I caught up with lead vocalist, Mikee Goodman, to discuss the upcoming release, the album artwork for ‘The Future in Whose Eyes’ and more. 

Congrats on the release of ‘The Future in Whose Eyes’. Tell us about the creative process and direction that you traveled down while bringing this album to life.

Thanks! It was a horrible and stressful process I would not want to repeat . I wrote all lyrics and vocals, and was constantly getting music to create to until the last minute. It was such such an intense period. We took this album along a very heavy route, it grooves and is technical but there are also psychedelic moments throughout. 

If you could pack a full house and play at any arena/stadium in the world, which place would you choose and why?

Vicarage Road, Watford. It is my football team. That would be great! If not that the Camp Nou, Barcelona is an amazing stadium, I’ve been there twice. I have not been to any stadiums in the USA, mind you.

During the songwriting process for “Vivid”, what was your intention and the theme that you wanted to express through your lyricism?

I experienced traumatic dreams for the last few years. When I was on tour with my band Outside The Coma a few years ago, I thought I was walking around a hotel, constantly looking for the bathroom. I kept walking into other traumatic dreams whilst in that one. In the morning my friend said he watching me walking on the spot in our hotel room whilst freaking out in my dream. So, in verses and the outro, I am in the dream, then in the chorus, I am asking the negativity to leave.

If you had to give a simple explanation of Mathcore as a genre to someone who was entirely unaware, what would you say?

That it is very technical music with a lot of time signatures or poly rhythms used. It is usually very heavy music also.

What has been the most enlightening experience that you have had as a musician so far and why?

That is a big question. Maybe it’s when someone is crying because they connect with lyrics or feel less alone. Maybe it’s when we travel to Nepal and India to discover so many people into our music which has been spread through the internet. Going to places we thought we would never see. USA was a great thing too, the reaction we got nearly every night was just amazing. Even going to Japan in 2004 was an insane experience. Seeing and experiencing different cultures is s big thing for me. 

Last but certainly not least, any closing messages for your fans?!

We hope you enjoy our new album and we really want to come to play the USA again as soon as possible!!

SikTh Social Links:

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