London Musician, Ámaris, is back with a full force lyrical spin through her her intuitive side throughout the release of her latest album, ’26’. Here’s our track-by-track thoughts.
Kicking off with the first track, “Jelly”, Ámaris bounces right into a metaphorically rich dose of songwriting that is seemingly impeccable as she describes the feelings that she encounters when it comes to connecting with the touch of another that creates a rush within. The second track, “Sunburn”, begins with the feelings of a track by Lorde as Ámaris snaps her way into a lyrical explanation of the remnants of sin that are left on her skin from a lover from the past whose aura continues to linger. “Diamond” is the third track that lyrically dives into the diamond that Ámaris is as she holds another accountable for pushing her limits with bold and expressive jabs. The fourth track, “Numb”, dives deep into the pool of wonder that left Ámaris feeling caught in a web of deceit as she claws her way out. “Last Day In The World” is the fifth track that is an album highlight that carries the feelings of a track by Madonna as Ámaris teases the individual who sparks a fire in her heart and lyrically creates the expectation of another giving her nothing short of their all.
The sixth track, “I Need You”, lyrically tackles the feelings of indecision as she attempts to follow her heart and stay true to herself as the human beings that she surrounds herself with don’t understand how deep her feelings have gone. “Snow Flake” is the seventh track that begins with a hypnotic instrumental that entrances as Ámaris’s songwriting style once again comes to the forefront as the core of who she is. The eighth track, “The Storm”, takes the album for a turn as Ámaris lyrically takes a walk through feelings of betrayal that she encountered within a relationship that just couldn’t make it out to shore. “Thankful” is the ninth track that is slow and sensual and bound to ignite feelings of confidence within a listener that is going through a tough patch of life. The tenth track, “Long Way (Disillusioned)”, begins with a long and fluid instrumental as Ámaris lyrically reminds herself of how far she has come throughout this game that we call life. “Blurred” is the eleventh track that showcases Ámaris’s ability to swing back and forth between Pop and Electronic as she lyrically recalls blurry feelings from the past that weren’t strong enough to be relevant in the present. Closing out with “Supernova”, Ámaris has remastered the track with precision that leaves listeners hanging on the edge of their seats for more of what she continues to explore within.
If you’re a fan of fellow musicians such as Lorde, Halsey and Purity Ring, then keep an eye on the ride ahead for Ámaris on Soundcloud.
Detroit Rapper, Mack Tr3, leaves no stone unturned throughout his metaphorically rich new album, ‘Out the Mud’. Here’s our track-by-track thoughts.
Kicking off with the first track, “False Idols”, Mack begins with an old-school sample and the sounds of a dark, moody storm that lead into the lyrical trajectory highlighting the pressure that he has encountered through following his dreams while ensuring to remind listeners that he can twist and bend words in an manner that’s unheard of. The second track, “Dopeman Dream$”, packs an instrumental punch over lyrics that speak of the lion that roars within Mack Tr3 as he highlights having his Mother in his life as a positive figure that keeps him away from the streets. “Real Life” is the third track that begins with a smooth beat that travels into lyrics that speak of how Mack Tr3 isn’t going to waste his time in conversations that don’t provide for his future. The fourth track, “Tr3 Rated”, jumps right into the lyrical story with zero remorse as Mack reminds listeners that he has opened the fridge to empty rows and nothing is going to lead him to fold. “Suppose 2 Be” is the fifth track in which Mack lyrically dials down to the raw reality that he is not where he desires to be in life and he has no time to waste on faulty relationships that don’t provide the fruit for his ever-growing tree of life.
The sixth track, “Shop Talk”, begins with the feel of a hard Young Dolph track as Mack lyrically brings to listeners attention that he has walked through living hell on earth and isn’t afraid to let the past go and take every single risk to create a brighter life experience for both his and his family. “Out the Mud” is the seventh and title track that lyrically tackles the choices that we make each and every day that either lead us toward a brighter day or back to the slums living life with a heart that gives zero love. “Set of “T**s” is the eighth track that begins with a heavy and bold beat that lyrically speaks of Mack’s relational experiences that haven’t matched with his desire to truly give a woman the best that he can as a mature and accountable man. The ninth track, “Letcher County Wave”, lyrically tackles the daily struggle that Mack experiences as he tries to adjust his behaviors to become the best version of himself for himself and his loved ones. Closing out with “Been Tr3”, Mack lyrically ends with reminding the world how true he has stayed to himself no matter what seasons of life that he experiences.
If you’re a fan of fellow musicians such as Young Dolph, 21 Savage with the old-school twist of Chamillionaire and Paul Wall, then keep an eye on the ride ahead for Mack Tr3 on YouTube.
Finland Rockers, Daggerplay, have set out on an exploration of gore, love, pain and more throughout their latest full-length album release, ‘Subterranean Reality’; here’s our track-by-track thoughts.
Kicking off with the first track, “Red Sky”, Daggerplay begins with a Rockabilly instrumental that is both unexpected and welcoming as the track bends through genres to create a rich delivery of spite. “Cruel Wind Blowing” is the second track that begins with the instrumental feel of The Eagles which swiftly runs back into a dose of Punk as Lead Vocalist, Pekko Mantzin, unleashes the fury that he has been building within. The third track, “Don’t Give Up”, is a lyrical blast of acceptance that reminds listeners to no longer tolerate energizing feelings that have expired. “Black River” is the fourth track that instrumentally aligns with Billy Talent as Daggerplay lyrically floats down a blackened river of blood flowing through the veins of a poisoned soul. The fifth track, “Girl, it’s Gonna Get Better Or Just Worse”, slows it down into an intro acoustic which swiftly shifts into a lyrical reminds the apple of their eye that they must take mindful action or simply move on. “Days Like These” is the sixth track that throws listeners right into the pit as a high-strung blast of instrumentals keeps rebellious souls on their toes.
The seventh track, “Four Walls”, sets all wicked feelings free over a track in which Pekko shares that he has dove into substance for a temporary escape from a living hell that he knows he created. The ninth track, “Same Old, Same Old”, is a vent of lyrical frustration as the humans of Daggerplay attempt to overcome pieces of their current life experience that are hindering them from moving forward. The eleventh track, “One Mile Town”, is the musical culmination of a group of people that are on the edge of packing up their car and making it to the next place that they can to awaken a new creative inner land. The thirteenth track, “Ghosts”, begins with the instrumental feel of a 90’s Rock track by Third Eye Blind as the lyrics welcome ghosts that are creeping out from closets that the closet that all were under the impression they had closed. Closing out with “Sinister Blues”, Daggerplay attempts to take on a brighter hue as they find a place of closure with knowing that they are ready to move on to a new city and new life.
Daggerplay is the perfect band of punks that could light up your upcoming St. Patrick’s Day celebrations with ‘Subterranean Reality’. If you’re a fan of fellow musicians such as Flogging Molly, Dropkick Murphys and Billy Talent, then keep an eye on the ride ahead for Daggerplay on Soundcloud.
